Case Studies
University of Portsmouth invests in ground-breaking future for the Centre of Creative and Immersive XR (CCIXR) with White Light’s SmartStage® technology
Having secured £3.6M in funding from the Solent Local Enterprise Partnership (LEP), the University of Portsmouth will launch its brand-new Centre for Creative and Immersive eXtended Reality (CCIXR) in 2021.
Fusion Comms transcends virtual events reality with White Light’s xR SmartStage® for global leadership conference
To facilitate their client BDO’s first ever fully virtual global conference, creative consultancy Fusion Comms produced a ground-breaking new digital delivery format. The BDO RETHINK Festival, which is traditionally held as a bi-annual face-to-face leadership event, was instead broadcast to a global audience on Monday 2 November and Wednesday 4 November 2020.
A brand-new trivia quiz show for YouTube influencer Tom Scott
YouTube influencer Tom Scott wanted to create a brand-new game show called Disconnected, using WL’s SmartStage® to enable remote participants to play along in three separate heats, before a grand final...
White Light’s SmartStage® digitally connects a global audience for transformed Leaders in Sport annual conference
As part of its series of global summits, Leaders in Sport recently hosted its annual ‘Leaders Week’ conference as an online forum (for the first time), due to the COVID-19 pandemic. The physical event, originally due to take place in New York, was transformed into ‘LeadersWeek.direct/’ - a broadcast delivered by technical solutions specialist White Light (WL), from their socially distanced studio in London.
The Future of Education: White Light’s SmartStage® positions virtual learning as a key offering at Michigan Ross University
In Autumn 2019, The University of Michigan’s Stephen M. Ross School of Business became the first academic institution to utilise SmartStage®, bringing remote learning to life like never before.
As Seen In...
Back in 2018, the technology has won the IBC Innovation Award for its use in Eurosport's coverage of the PyeongChang 2018 Olympic Winter Games.
How Does it Work?
A media server is provided for each studio camera, with the servers' outputs feeding into the studio vision mixer. This allows feeds into the LED video walls to be cut via macros whenever the camera feeds are cut.
The servers also generate a delayed camera feed, key and fill for front-plate/augmented reality content, along with a perspective preview for the camera operator. This means they don't have to work "blind" if the live environment is not cut to them.
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