Testimonials

It was fantastic working with you and we received a lot of feedback about how welcoming and accommodating you were on-site.

It was a great pleasure working with you. Your advice, patience and expertise was a great help and reassurance.

Working with the WL team was fantastic – they truly understand theatre designers and go the extra mile!

Having worked with WL on numerous occasions, we knew we could rely on their extensive experience in theatre lighting and their adaptability. Their work across various genres made them the perfect partner for this project. (Come Alive! The Greatest Showman)

I’d like to say thank you again to WL for supplying my first ever large-scale production and being a huge support throughout the entire process.

I’d like to say thanks to the team at WL who continue to support An Inspector Calls after thirty years and always work incredibly hard to provide something that fulfils our budgetary, artistic and logistical needs. They truly understand the show and what it needs, and that long-standing relationship is greatly valued.

I’m incredibly proud of what the creative and production teams have achieved on Dr Strangelove. I’d also like to say a huge thank you to the Hire Team at WL for their support throughout.

The response from the audience has also been fantastic and I’m very proud of this show (Hello, Dolly!) and everyone involved. It was a huge honour to light such a significant musical in such an iconic venue. We had a stellar lighting team, led by Production Electrician Ben Nichols, Associate LD Lucia Sanchez Rondan and Programmer Vic Brennan. The Palladium’s lighting department led by Mark Smith were first class and really made us incredibly welcome. When lighting a show like this, it’s not necessarily a case of defaulting to the very latest equipment but rather drawing on what is most suitable for the production. I am delighted to say that once again, Stuart Porter, and the WL Hire Department played a huge part in successfully achieving exactly that.

For Kiss Me, Kate, I’d like to acknowledge the great work of Lighting Programmer Nick Simmons, Production Electrician Pete Lambert and the Barbican Lighting Team, UK Associate LD Hector Murray and Associate LD Karen Spahn. I’m very proud of the work we were all able to put onstage, due in no small part to the stellar support we received from Andy Cullen and the WL team. They went above and beyond to deliver the tools we needed despite the limited budget and fast- track nature of the project.  They also stood right behind us as the design evolved and changes to the rig were required during the technical rehearsal and preview period – something we greatly appreciated.