Tag Archive: Jamie Platt

1. White Light Goes Gently Down the Stream

   28 February 2019 14:58 Leave a Comment

   

   White Light recently provided the lighting equipment for Gently Down the Stream which has opened to rave reviews at London’s Park Theatre.

   Set at the turn of the 21st century, Gently Down the Stream is a delicate examination of the relationship between Beau; a 62 year old piano accompanist from New Orleans, and Rufus; a 28 year old bi-polar lawyer, set over the course of thirteen years in Beau’s London flat. It is written by Martin Sherman, directed by Sean Mathias and features a lighting design by Jamie Platt.

   Jamie comments: “The majority of the show is set in Beau’s apartment which is beautifully designed by Lee Newby. We wanted this to feel as real as possible so, as a result, most of the lighting for these scenes was committed to creating a totally naturalistic world. That said, Sean was very keen to make the monologues that are dotted throughout the play feel incredibly poignant and sentimental as they tell us of Beau’s history in dealing with homophobia, AIDS, loss and heartbreak. Therefore, the aim of these moments was to focus on Beau and try to make the flat disappear into the background”.

   

   Having supplied a range of Jamie’s shows throughout 2018, he approached WL once again to provide the lighting on this production. He explains: “I knew I wanted to use the expansive back wall of the Park Theatre as a blank canvas for the monologues. It lends itself so well to washes of colour, and WL offered me the PixelLine 1044 LED battens. These fitted perfectly into the rig and their multi-cell function also allowed me to close down gently to the exact areas I wanted to highlight.

   He adds: “I also knew that each monologue was likely to be in a different position on the set so I spec’d two Martin MAC TW1s with narrow lenses. I love the tungsten quality these offer, and the ability to perform a subtle live colour change over a five minute speech was a big plus for me. Finally, I put two Vari*Lite VL1000s into the rig, and I was able to use them to perform live shutter moves to close in on various characters over the show. The lack of fans on the tungsten VLs and the TW1s was of supreme importance from a noise perspective, on such a delicate play”.

   

   This marks the European premiere of the production, with Sean Mathias having also directed the show’s premiere on Broadway in 2017. Jamie comments: “We really wanted to make this version not feel like a copy of the previous production. The Park 200 space offered a vastly different setting (thrust vs pros. arch) and I was keen to use colour in a much bolder way to differentiate the monologues from the naturalistic world in the scenes”.

   The show was now opened to rave reviews and will run until 16^th March.

   Jamie comments: “This has been a fantastic show to work on and we’re proud of the response we’ve received from both critics and audiences alike. I’d like to thank our Production Manager Patrick Molony for doing such as great job as well as Bryan Raven and Simon Arnold at WL for their continued support”.

   Photos courtesy of Marc Brenner.

2. It’s Panto Season for White Light – Oh Yes it is!

   11 December 2017 10:44 Comments Off on It’s Panto Season for White Light – Oh Yes it is!

   As always at this time of year, the Pantomime season is well and truly underway with dames, beanstalks and magic lamps taking centre stage up and down the country. As one of the leading suppliers to West End and UK touring theatre, White Light is supplying the lighting equipment to a range of pantomimes all across the UK.

   WL’s Hire Manager Jedd Hamilton comments: “For a lot of theatres, pantomimes are their biggest shows of the year. They are often extremely loud, fun and flashy productions; meaning they require a range of lighting equipment to achieve this impact. As a company, it’s our role to ensure we supply designers with exactly what they need”.

   As usual, it’s a host of familiar titles that are gracing the stage this Christmas. WL is supplying productions of Jack and the Beanstalk at the Bournemouth Pavilion, Cambridge Arts Theatre and Salisbury Playhouse. The Lighting Designer at Salisbury is Nic Farman, who comments: “I fundamentally start designing a panto in the same way I design any show, setting out concepts for each location and scene and finding the narrative in the script and music. We’ve tried to find every bit of magic in every moment of Jack and built from there. James Button’s set design is sumptuous and beautiful so lighting it has been a joy.

   He adds: “The show is pretty epic with over 200 individual RGBW festoon bulbs and a lot of practical elements in the set. In terms of the larger rig, I’ve drawn on the Martin MAC 700 Profiles and Coemar Infinity M Spots for the overhead spot work. I’ve also added some extra Martin MAC Auras which give me a great full stage wash from front of house and overhead. Elation Six PARs light the proscenium arch and three portals on stage and there’s also eight GLP Impression X4 Bars which light the downstage cloths”.

   Another popular title is the iconic Snow White which WL is supplying at the Aylesbury Waterside Theatre and Bath Theatre Royal. The company is also supplying an adult-only version of the show at London’s Above the Stag Theatre which is renowned for its adult pantomimes. The lighting designer is Jamie Platt, who comments: “With panto, it’s the old adage of more is more. Every slight moment is a cue and a bold one at that. I don’t think you’d ever be able to get away with turning the stage green and strobing half the rig whenever the villain walks on stage in a play”.

   That said, working on a panto that The Stage lists in its ‘Top Ten Panto List’ does mean there is an element of expectation. Jamie explains: “I worked on the show last year that WL also supplied and each time we’re trying to make the show bigger and better. This year, the show is certainly bold and WL have been fantastic in helping us achieve this”.

   Alongside this, WL is also supplying equipment to Cinderella at the Epsom Playhouse, Greenwich Theatre and Malvern Theatre. Other productions include Sleeping Beauty at the Rhyl Pavilion and Worcester’s Swan Theatre, Peter Pan at the Blackpool Opera House and Aladdin at the Assembly Halls in Tunbridge Wells.

   Jedd adds: “The pantomime season concludes what has been an extremely busy year for WL. We continue to be the leading lighting supplier to the West End, supplying new productions of 42^nd Street, Young Frankenstein, Heisenberg and Venus in Fur, along with continuing our work on long-running shows such as Matilda, Les Misérables and Harry Potter and the Cursed Child. We also supplied some of the UK’s biggest tours, as seen with The Band, Miss Saigon, Grease and Flashdance along with site-specific projects, fringe shows and school productions. We’re looking forward to 2018 where we will continue to work on a range of productions and offer designers the best service possible”.

   Photos courtesy of The Other Richard, PGBStudios and Robert Day