White Light Sets the Stage at Highbury Theatre Centre
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White Light has overseen a brand-new lighting upgrade at the Highbury Theatre Centre in Sutton Coldfield.
Having opened in 1942, Highbury Theatre Centre is one of the oldest, most established amateur theatres in the country. Through its resident company The Highbury Players, the venue annually presents a ten month season, which includes seven main stage productions and three studio plays. It is also home to a number of visiting companies including Trinity Players, From The Top Theatre Company and Class Act Drama Centre. The Centre also hosts the annual Birmingham Festival of Acting and Musical Entertainment.
To ensure its productions maintain the highest technical standards possible, the venue decided to upgrade its existing lighting rig. As a result, the team visited PLASA Focus Leeds earlier this year where they met WL’s Business Development Manager Jonathan Haynes. Jonathan explains: “The Theatre had built up capital and wanted to use this to upgrade their existing lighting rig; replacing their very old tungsten units and console. They were very keen to draw on the most advance equipment possible yet also use the funds wisely and ensuring there was a long-lasting system in place, especially given then concerns surrounding the availability of tungsten lamps”.

Following this initial chat, Jonathan went to visit the Theatre Centre and walk through the space. He comments: “It was important for us to see the venue, listen to the client’s requirements and then offer a solution. We demonstrated a lot of equipment which we thought would offer enough lighting coverage yet also fall within budget. I was keen to ensure that what we offered was affordable, but also could offer the long term reliability and manufacturer support”.
WL put forward a lighting package from the ETC ColorSource family, including ColorSource Cycs, ColorSource Pars and ColorSource Spots. This was enhanced with High End SolaFrame 750 moving head fixtures, and an ETC Gio to control the new rig. WL also supplied a power distribution solution to replace the existing six way tungsten dimmer packs, and ColorSource Relays to provide switchable power via the console. With the ColorSource fixtures having a 5 year warranty on the fixture and 10 year warranty on the LED array, as well as a great light output, it proved a perfect option that could provide the long term reassurance that the venue was looking for.

Highbury Theatre Centre’s Head of Lighting Andrew Noakes comments: White Light and Jonathan in particular were most helpful and offered us a package that exceeded what we thought we could afford and now have a rig which is flexible to our needs and brings us into the 21st century. We are now into our third production using the new kit and are very happy with it.
Jonathan adds: “It was fantastic to work closely with the team at Highbury Theatre Centre and supply a package that was bespoke to their technical and budgetary needs. It is even more rewarding to see the new kit working well in its new home with a very happy technical team. Whilst we have a reputation of working with some of the biggest regional theatres in the UK, we work with venues of all shapes and sizes, and would encourage anyone looking for a lighting upgrade or just with a general enquiry to contact our expert team.”
Photos courtesy of Highbury Theatre Centre.



As the complete technical solution specialist, White Light works in a range of markets, including theatre, corporate events, broadcast, retail and leisure. Whether it’s supplying equipment for a brand-new space or upgrading an existing system, WL is constantly drawing on the very latest technology to offers its clients the exact solutions they require. This includes d3 Technologies’ state-of-the-art equipment which WL has utilised on a whole range of projects. The company has now been appointed as a d3 Certified Solutions Provider; meaning it now has its own fleet of d3 hardware which is available to customers.
Lee Dennison, WL’s Head of Business Development, comments: “Due to the vast capabilities of d3 technology, we found ourselves constantly using the software as it provided options that simply weren’t out there. Also, as a company who works extensively in technical installations, we are often asked to provide all of the production aspects, including audio, lighting and video. Therefore, to have a system which allows us to visualise all of these components together is extremely beneficial. Such technology is changing how we view a lot of our work and this was something we wanted to make accessible to our clients”.